Letter to Oscar Wilde
“Then Oscar made—his escape
Onboard a yacht—Erith to Dieppe”
—Oscar Wilde Revisited
It seems to me—you had good advice to flee
the courts gave you a chance—to get out of the
country, the Marquis of Queensberry— and his
thug-detectives could have been given the slip
the estate and incomplete manuscripts, the house
the whole ball of wax—could have been done better
instead of the sham auction—of your books, mss,
“Then Oscar made—his escape
Onboard a yacht—Erith to Dieppe”
—Oscar Wilde Revisited
It seems to me—you had good advice to flee
the courts gave you a chance—to get out of the
country, the Marquis of Queensberry— and his
thug-detectives could have been given the slip
the estate and incomplete manuscripts, the house
the whole ball of wax—could have been done better
instead of the sham auction—of your books, mss,
furniture, belongings—all of that could
have been protected legally—or moved elsewhere
with some foresight—and the help of friends
But most important—you could have had an
have been protected legally—or moved elsewhere
with some foresight—and the help of friends
But most important—you could have had an
honorable exile—a chance to kept your reputation
friends and connections—much better as a kosher
friends and connections—much better as a kosher
exile with some much needed funding—rather than
fallen disgraced broke—Sebastian Melmoth with
fallen disgraced broke—Sebastian Melmoth with
Bosie the Leach pulling you—down even further
so much for fickle public opinion—theater goers
came to your plays to be—entertained and dished
so that it was unwise—for you to throw your welfare
so much for fickle public opinion—theater goers
came to your plays to be—entertained and dished
so that it was unwise—for you to throw your welfare
to the mercy of the very society—you’d satirized and
made fun of—perhaps a big mistake for an uppity
made fun of—perhaps a big mistake for an uppity
Irishman playwright—a writer in a Victorian fish tank
full of sharks and bottom fish—ahead of your time
the world loves a winner—skip Miss De Profundis
an earlier Parisian exile—would’ve been stylish
how many other exiled writers—James Joyce
Henry James—Gertrude Stein, Alice B. Toklas
Ernest Hemingway—James Baldwin, Paul Bowles
the difference being—respected Exiles are quick
not Melmoth monsters—not ruined physically and
kicked dead by Reading—or made slowly mad by
St. Elizabeth’s—Miss Verlaine left in a daze
but hindsight rarely—conforms to the real
we may never know—why you didn’t escape
But what if you escaped—became Parisian literary
full of sharks and bottom fish—ahead of your time
the world loves a winner—skip Miss De Profundis
an earlier Parisian exile—would’ve been stylish
how many other exiled writers—James Joyce
Henry James—Gertrude Stein, Alice B. Toklas
Ernest Hemingway—James Baldwin, Paul Bowles
the difference being—respected Exiles are quick
not Melmoth monsters—not ruined physically and
kicked dead by Reading—or made slowly mad by
St. Elizabeth’s—Miss Verlaine left in a daze
but hindsight rarely—conforms to the real
we may never know—why you didn’t escape
But what if you escaped—became Parisian literary
exile—gay provocateur for post-Victorian gay lib
all those shiploads of fags—fleeing Great Britain
for the City of Light—your homo Lost Generation
with its poverty, absinthe—hustling, ennui
and ultimately boredom—your creative spirit dead
instead growing and flourishing—bright Exile Lite
nascent GLBT literary movement—kick-started
the Plathian Arielesque—rebel paradigm
pushing queer lit and freedom—onto the stage
where you could make—things happen adroitly
edging decadence—into postmodern kitsch
all those shiploads of fags—fleeing Great Britain
for the City of Light—your homo Lost Generation
with its poverty, absinthe—hustling, ennui
and ultimately boredom—your creative spirit dead
instead growing and flourishing—bright Exile Lite
nascent GLBT literary movement—kick-started
the Plathian Arielesque—rebel paradigm
pushing queer lit and freedom—onto the stage
where you could make—things happen adroitly
edging decadence—into postmodern kitsch
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