Rua do Alecrim
“A man can go astray
even when he follows
a straight line.”
—José Saramago,
The Year of the Death
Of Ricardo Reis
1.
the silky texture
of her sleeve
the warmth of her skin…
Lydia lowered her eyes
moved sideways
his hand
accompanied her
they remained like that
for a few seconds
now she departs
she will not regain
her composure
in a hurry…
labyrinths are like
Lisbon streets
crossroads
blind alleys…
2.
the Rua do Alecrim
up down left right
Ferragial
Remolares
Arsenal
Vinte e Quatro de Julho
The unwindings
of the skeins
the web
Boavista
Crucifixo
even a man
with the sight of 2 eyes
needs a light
he can follow
3.
watching the spectacle
of the world
call it
wisdom
aloofness
indifference
upbringing
what Ricardo Reis
requires
is a guide dog
a walking stick
a light
Lisbon
is a dark mist
north south east west
all merge
sloping
downward
4.
Ricardo Reis
falls headlong
to the bottom
a tailor’s dummy
a manikin
without legs just a head
Cherico-esque
Fernando Pessoa
is dead
unique
irreplaceable
returning from Rio
I walk down
Avenida da Liberdade
Both poets dead
Yet here I am
our portraits
in oval frames
5.
watching the spectacle
of the world
I go astray
even when I follow
a straight line
entering Rossio
crossroads of
4 or 8 choices
taken and retraced
letting chance
guide me
driving me letting myself
be driven
by forces unknown
even if I knew
what would I know?
6.
Pessoa the poet hoards his poems
journalists scratch their ass
critics publish rubbish
I tap the pavement
little is gained from
secondaire lit queans
Pessoa hoards his poems
unlike other geniuses
dot dot dot
I let myself
go astray
entering Rossio
letting Lisbon
guide me past
Freire the Engraver’s
shiny bronze nameplates
lawyers doctors notaries
important “compass” people
but poets?
nameplates deceive
so do
journalist & critic’s questions
poets reply with action
with action
we ask questions
such questions converge
our change is
thru our senses
poet questions
don’t require answers
heteronyms work better
just ask them all…
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